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Cover of The Buffalo Funk, a biography of Rick James

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4,875 words · no email, no account

No. 004 · Music · R&B & Soul

The Buffalo Funk

a biography of James Ambrose Johnson Jr. (Rick James)

What the book is

He was born James Ambrose Johnson Jr. in Buffalo, New York, on February 1, 1948, deserted the U.S. Navy at nineteen, fled to Toronto, played in the Mynah Birds with a kid named Neil Young, signed to Motown for Come Get It! in 1978, and proceeded to put Mary Jane (1978), Bustin' Out (1979), and Street Songs (1981) on the R&B chart for the better part of three years. Super Freak alone has been sampled across two generations of hip-hop. The 1981 Street Songs tour took $40 million on the road and put a punk-funk hat on the entire decade.

Tariah Robinson's biography opens earlier and follows the arc with the documentary rigour the subject demands. The book traces the early Buffalo years, the AWOL escape to Canada, the Mynah Birds and the Greenwich Village years, the Motown signing, the long second act of Teena Marie collaborations and the Mary Jane Girls and Eddie Murphy's Party All the Time, the 1991 Linda Blair conviction and the 1996 release, the 2004 Chappelle's Show I'm Rick James sketch, and the death at fifty-six on August 6, 2004 of a cardiac event at his Burbank hilltop home.

What emerges is a portrait of a punk-funk pioneer whose drug habits the rest of his peers caught up with in the 1980s and whose sound the two decades that followed have been mining ever since.

At a glance

Subject
James Ambrose Johnson Jr. (Rick James)
Shelf
Music · R&B & Soul
Written by
Tariah Robinson
Chapters
18 across 215 pages
Narrated by
Nadia Kerr
Editions
Paperback · EPUB · Audiobook
Authorisation
Unauthorised — no subject, estate or label had approval over the text.

Contents · 18 chapters

  1. 01Buffalo ChildRead free
  2. 02The Mynah Birds3,533 words
  3. 03Wandering Years3,446 words
  4. 04Come Get It4,138 words
  5. 05Stone City3,149 words
  6. 06Super Freak4,456 words
  7. 07Prince and the War3,067 words
  8. 08Anatomy of Funk3,603 words
  9. 09The Fire Inside3,213 words
  10. 10The Pipe3,506 words
  11. 11The Crimes3,563 words
  12. 12Folsom3,195 words
  13. 13Aftermath3,536 words
  14. 14I'm Rick James3,011 words
  15. 15Last Sessions3,188 words
  16. 16August Sixth3,329 words
  17. 17The Sample3,461 words
  18. 18The Groove Remains2,839 words

The opening chapter is published in full — read it here.

Editions

Paperback · $19.99
6 × 9 in · 215 pp · 60# uncoated cream, black ink · perfect-bound paperback
EPUB · $3.99
EPUB 3 · DRM-free · reads on Kindle, Kobo and Apple Books
ISBN 979-8-90623-046-1
Audiobook · $5.99
Unabridged · measured from the masters · read by Nadia Kerr
ISBN 979-8-90623-219-9

The printed edition has no ISBN registered yet. It affects library and retail listing, not your order.

Questions

01

Who is The Buffalo Funk about?

James Ambrose Johnson Jr. (Rick James). The title never carries the subject's name: it names one concrete thing out of the life — in this case The Buffalo Funk — and the name goes on the line underneath.

02

Is this an authorised biography?

No. No subject, estate, label or foundation had approval over the text, and none paid for a word of it. The cost of that independence is that no new interviews were conducted for the book; it is built from the public record, and it says on the page where a scene is reconstructed rather than documented.

03

Can I read some of it before buying?

Yes — the whole opening chapter and the writer's foreword, free and in full, with no email address and no account. That is 4,875 words of the book.

04

How long is it?

About 62,500 words, 18 chapters, 215 pages in the paperback.

05

What is the printed book like?

6 × 9 in, 60# uncoated cream, black ink, perfect-bound paperback, matte laminate. Every title in the series uses the same specification, so they line up on a shelf.

The writer

Tariah Robinson

Born and raised in Detroit, Tariah Robinson began her career writing about the city's rich musical heritage. Her work as an R&B critic for Pitchfork and The Ringer established her as one of the careful chroniclers of late-1990s Black radio, focusing on the cultural impact of the era's production styles.

Transitioning to book-length projects, she wrote The Buffalo Funk, The Marsh Harbour Charter, The West Adams Bullet, and The Note She Declined. These biographies examine the intersection of geography, community, and musical innovation across different decades.