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4,535 words · no email, no account
No. 017 · Screen & Stage · Performing Arts
a biography of Hedwig Eva Maria Kiesler (Hedy Lamarr)
She was born Hedwig Eva Maria Kiesler in Vienna on November 9, 1914. She fled her first husband — the Austrian arms manufacturer Friedrich Mandl, who had hosted Mussolini and Hitler at their hunting lodge — by drugging the cook, climbing out a bathroom window, and boarding a ship to London in 1937. Louis B. Mayer signed her in his MGM cabin across the Atlantic. By 1942 she was the highest-paid actress in Hollywood. She was also, that year, the co-inventor — with the composer George Antheil — of a frequency-hopping anti-jamming torpedo guidance system that the U.S. Patent Office granted under patent 2,292,387.
Donovan Hadley's biography opens with the Mandl marriage and the MGM contract, follows the arc through the Algiers (1938) debut and the Samson and Delilah (1949) Cecil B. DeMille peak, the patent and the Navy filing it in a forgotten drawer, the 1953 Hollywood blacklist near-miss, the post-MGM years of plastic-surgery, the 1991 Florida shoplifting arrest, the Florida years of phone-call-only friendships, the 1997 Electronic Frontier Foundation Pioneer Award, and the death at her Casselberry house in 2000 at eighty-five.
What emerges is a portrait of an Austrian movie star whose patent the Navy ignored for sixteen years and whose frequency-hopping principle every cellphone in the room you are reading this in now uses.
The opening chapter is published in full — read it here.
The printed edition has no ISBN registered yet. It affects library and retail listing, not your order.
Hedwig Eva Maria Kiesler (Hedy Lamarr). The title never carries the subject's name: it names one concrete thing out of the life — in this case Frequency — and the name goes on the line underneath.
No. No subject, estate, label or foundation had approval over the text, and none paid for a word of it. The cost of that independence is that no new interviews were conducted for the book; it is built from the public record, and it says on the page where a scene is reconstructed rather than documented.
Yes — the whole opening chapter and the writer's foreword, free and in full, with no email address and no account. That is 4,535 words of the book.
About 60,500 words, 18 chapters, 197 pages in the paperback.
6 × 9 in, 60# uncoated cream, black ink, perfect-bound paperback, matte laminate. Every title in the series uses the same specification, so they line up on a shelf.