
The Alderson Sentence
Digital edition

Ships in 2 to 5 working days. Delivery quoted from your address at checkout.
6,941 words · no email, no account
No. 025 · Technology & Money · Media Business
a biography of Donald Cortez Cornelius
On a Saturday morning in 1971, a former Chicago insurance salesman with a baritone voice and a borrowed camera crew launched a dance show that would outlast the network executives who almost killed it in its cradle. For the next thirty-five years, Soul Train was the longest-running first-run nationally syndicated program in American television history — and the man behind it, Don Cornelius, remained its sole proprietor, host, and gatekeeper.
Sterling Aldridge traces the arc of a self-made impresario who refused to let Black music and Black bodies be filtered through anyone else's lens. From the South Side studios where the show was first taped on a shoestring, to the Hollywood years when James Brown, Aretha Franklin, and a generation of new artists came through its doors, Cornelius built something the industry had insisted could not be built, and then guarded it with a discipline that bordered on austerity.
Drawing on interviews with dancers, musicians, family, and former staff, Aldridge follows Cornelius across the decades that followed — the contract disputes, the health struggles, the slow loosening of his grip on a culture he had helped invent, and the private weather of a man who gave the country a weekly ride and kept very little of the journey for himself.
What emerges is the portrait of a builder, and of the cost of building.</br>
The opening chapter is published in full — read it here.
The printed edition has no ISBN registered yet. It affects library and retail listing, not your order.
Donald Cortez Cornelius. The title never carries the subject's name: it names one concrete thing out of the life — in this case The Encino Hills — and the name goes on the line underneath.
No. No subject, estate, label or foundation had approval over the text, and none paid for a word of it. The cost of that independence is that no new interviews were conducted for the book; it is built from the public record, and it says on the page where a scene is reconstructed rather than documented.
Yes — the whole opening chapter and the writer's foreword, free and in full, with no email address and no account. That is 6,941 words of the book.
About 63,000 words, 19 chapters, 208 pages in the paperback.
6 × 9 in, 60# uncoated cream, black ink, perfect-bound paperback, matte laminate. Every title in the series uses the same specification, so they line up on a shelf.