
The Vertical
Paperback · Hardcover

Ships in 2 to 5 working days. Delivery quoted from your address at checkout.
4,850 words · no email, no account
No. 040 · Power & Politics · World Politics
a biography of Imelda Remedios Visitación Romuáldez Marcos
Before the three thousand pairs of shoes, before the chandeliered ballrooms of Malacañang, before the exile and the indictments and the long second act, there was a girl sleeping on a cot in a garage in Manila. Her father had remarried; the new household had no room for her. She sang for coins at provincial pageants and learned, early, the uses of being looked at.
Liwayway Sanchez traces the long arc from that garage to the presidential palace and beyond — the courtship by a young congressman named Ferdinand, the years of martial law, the staged tableaux of the New Society, the flight to Hawaii in 1986, and the improbable return to Philippine politics that followed. Drawing on Filipino-language sources, declassified State Department cables, and interviews with former aides and adversaries, Sanchez assembles a portrait neither caricature nor apology.
What emerges is a woman who understood, perhaps before her husband did, that power in the late twentieth century would be a matter of images: of beauty pageants and ribbon cuttings, of buildings raised in haste, of jewels photographed and then denied. Around her, a country borrowed, suffered, resisted, and remembered.
The Girl From the Garage is a study of self-invention at the scale of a nation — of how a poor relation became a first lady, how a first lady became a symbol, and what the symbol cost the people it claimed to represent.
The opening chapter is published in full — read it here.
The printed edition has no ISBN registered yet. It affects library and retail listing, not your order.
Imelda Remedios Visitación Romuáldez Marcos. The title never carries the subject's name: it names one concrete thing out of the life — in this case The Girl from the Garage — and the name goes on the line underneath.
No. No subject, estate, label or foundation had approval over the text, and none paid for a word of it. The cost of that independence is that no new interviews were conducted for the book; it is built from the public record, and it says on the page where a scene is reconstructed rather than documented.
Yes — the whole opening chapter and the writer's foreword, free and in full, with no email address and no account. That is 4,850 words of the book.
About 63,000 words, 19 chapters, 210 pages in the paperback.
6 × 9 in, 60# uncoated cream, black ink, perfect-bound paperback, matte laminate. Every title in the series uses the same specification, so they line up on a shelf.