
The Twelve Adopted Children
Paperback

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4,513 words · no email, no account
No. 093 · Music · Jazz
a biography of Eunice Kathleen Waymon (Nina Simone)
Saturday mornings in Tryon, North Carolina, a Black girl named Eunice Waymon climbed the steps to a white woman's parlor and learned Bach. She was six. She would practice eight hours a day for the next decade, certain she was being prepared for the concert stage.
The Curtis Institute closed that door in a single afternoon. To pay her mother's rent, Eunice took a job at the Midtown Bar and Grill in Atlantic City and was told, on her first night, that she would have to sing. She invented a name so her Methodist mother would not recognize it on a marquee. The voice that emerged — low, unhurried, classically schooled and gospel-fed — belonged to no genre then in existence.
Adele Trahern follows Nina Simone from the chitlin circuit to Carnegie Hall, from Selma to Liberia to a small apartment in the south of France, tracing the architecture of a self-made artist and the forces working steadily to dismantle her. She writes with equal care about the hour in which she composed "Mississippi Goddam" and the years in which her illness and her rage made her dangerous to the people she loved most.
What emerges is a portrait of a woman who refused, at every turn, to be smaller than her gift — and of an American century that punished her for it.
The opening chapter is published in full — read it here.
The printed edition has no ISBN registered yet. It affects library and retail listing, not your order.
Eunice Kathleen Waymon (Nina Simone). The title never carries the subject's name: it names one concrete thing out of the life — in this case The Curtis Rejection — and the name goes on the line underneath.
No. No subject, estate, label or foundation had approval over the text, and none paid for a word of it. The cost of that independence is that no new interviews were conducted for the book; it is built from the public record, and it says on the page where a scene is reconstructed rather than documented.
Yes — the whole opening chapter and the writer's foreword, free and in full, with no email address and no account. That is 4,513 words of the book.
About 60,500 words, 18 chapters, 184 pages in the paperback.
6 × 9 in, 60# uncoated cream, black ink, perfect-bound paperback, matte laminate. Every title in the series uses the same specification, so they line up on a shelf.