
The Lake Forest Park Sidewalk
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3,347 words · no email, no account
No. 227 · Letters & Ideas · Literature
a biography of Thomas Lanier Williams III (Tennessee Williams)
February 25, 1983, the Hotel Elysée on East 54th Street in Manhattan. Thomas Lanier Williams III, seventy-one, the playwright known as Tennessee, is found dead in his suite by his secretary John Uecker. The cause of death is recorded as asphyxiation from the cap of a Seconal bottle. He had been in physical decline for years and had been writing in his journal of his fear that he would die alone in a hotel room.
Eleanor Whitlock's biography opens earlier — in Columbus, Mississippi, where Thomas was born in 1911, the second child of a travelling shoe salesman named Cornelius Williams and a minister's daughter named Edwina Dakin — and follows the arc through the long St. Louis Catholic and Episcopal childhood, the University of Missouri and Washington University and University of Iowa years, the long New Orleans bohemian 1939-1940 winter that gave the writer his pen-name, the 1944 The Glass Menagerie on Broadway, the 1947 A Streetcar Named Desire and the long Elia Kazan productions, the 1955 Pulitzer-winning Cat on a Hot Tin Roof, the long Frank Merlo partnership of 1948-1963 and Merlo's lung-cancer death, the long post-1963 critical-and-commercial decline, the long barbiturate-and-cocaine years of the late 1960s and 1970s, the 1979 Clothes for a Summer Hotel Broadway opening, and the February 1983 hotel room.
What emerges is a portrait of the Columbus, Mississippi-born American playwright whose Pulitzer-winning Streetcar and Cat established the post-war American theatre — and whose long late-career decline the same theatre took twenty years to bring itself to write about with the seriousness his early work had earned him.
The opening chapter is published in full — read it here.
The printed edition has no ISBN registered yet. It affects library and retail listing, not your order.
Thomas Lanier Williams III (Tennessee Williams). The title never carries the subject's name: it names one concrete thing out of the life — in this case The Elysee Hotel — and the name goes on the line underneath.
No. No subject, estate, label or foundation had approval over the text, and none paid for a word of it. The cost of that independence is that no new interviews were conducted for the book; it is built from the public record, and it says on the page where a scene is reconstructed rather than documented.
Yes — the whole opening chapter and the writer's foreword, free and in full, with no email address and no account. That is 3,347 words of the book.
About 60,000 words, 18 chapters, 182 pages in the paperback.
6 × 9 in, 60# uncoated cream, black ink, perfect-bound paperback, matte laminate. Every title in the series uses the same specification, so they line up on a shelf.
Yes: addiction; homophobia. They are listed before you buy rather than discovered afterwards. The material is handled as evidence, not as spectacle.
Listed before you buy, not after.