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Cover of The Thirteen-Year Conservatorship, a biography of Britney Spears

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3,455 words · no email, no account

No. 044 · Music · Pop

The Thirteen-Year Conservatorship

a biography of Britney Jean Spears

What the book is

Kentwood, Louisiana, 1981. A girl with a four-octave voice sings into a hairbrush in a doublewide and is told, again and again, that she is going to be somebody. By twenty-six she has sold a hundred million records, danced with a python at the VMAs, and lost custody of her two small sons. By twenty-seven, a California court has handed control of her body, her bank accounts, and her medical decisions to her father.

Ailsa Rennie's biography of Britney Jean Spears follows the thirteen years that followed — a period in which Spears earned roughly $138 million while being told what she could eat, whom she could date, and which IUD would remain inside her. Drawing on court filings, label memos, and the testimony Spears finally delivered by telephone in June 2021, Lockhart reconstructs how a conservatorship designed for the elderly and the infirm came to enclose a woman at the height of her earning power.

Lockhart moves between the Mickey Mouse Club soundstage, the Jive Records boardroom, the paparazzi scrum outside a Tarzana gas station, and the fan forums where strangers first began to ask whether the smiling Instagram posts were a cry for help.

At its center is a question the courts spent more than a decade refusing to answer: who, exactly, was being protected, and from whom?

At a glance

Subject
Britney Jean Spears
Shelf
Music · Pop
Written by
Ailsa Rennie
Chapters
19 across 221 pages
Narrated by
Camille Rhodes
Editions
Paperback · Hardcover · EPUB · Audiobook
Authorisation
Unauthorised — no subject, estate or label had approval over the text.

Contents · 19 chapters

  1. 01The MemoirRead free
  2. 02McComb / Kentwood4,515 words
  3. 03The Talent3,366 words
  4. 04The Mickey Mouse Club3,112 words
  5. 05...Baby One More Time3,830 words
  6. 06Justin3,401 words
  7. 07The Snake3,618 words
  8. 08Toxic3,833 words
  9. 09Federline3,852 words
  10. 1020073,268 words
  11. 11Custody3,681 words
  12. 12The Hold3,725 words
  13. 13The Machine2,851 words
  14. 14Circus and Vegas3,611 words
  15. 15Free Britney3,300 words
  16. 16The Testimony2,761 words
  17. 17Termination3,154 words
  18. 18The Woman in Me4,964 words
  19. 19Postscript — The Record3,400 words

The opening chapter is published in full — read it here.

Editions

Paperback · $19.99
6 × 9 in · 221 pp · 60# uncoated cream, black ink · perfect-bound paperback
Hardcover · $24.99
6 × 9 in · 221 pp · 60# uncoated cream, black ink · case laminate on the same text block
EPUB · $3.99
EPUB 3 · DRM-free · reads on Kindle, Kobo and Apple Books
ISBN 979-8-90470-030-0
Audiobook · $5.99
Unabridged · measured from the masters · read by Camille Rhodes
ISBN 979-8-90623-011-9

The printed edition has no ISBN registered yet. It affects library and retail listing, not your order.

Questions

01

Who is The Thirteen-Year Conservatorship about?

Britney Jean Spears. The title never carries the subject's name: it names one concrete thing out of the life — in this case The Thirteen-Year Conservatorship — and the name goes on the line underneath.

02

Is this an authorised biography?

No. No subject, estate, label or foundation had approval over the text, and none paid for a word of it. The cost of that independence is that no new interviews were conducted for the book; it is built from the public record, and it says on the page where a scene is reconstructed rather than documented.

03

Can I read some of it before buying?

Yes — the whole opening chapter and the writer's foreword, free and in full, with no email address and no account. That is 3,455 words of the book.

04

How long is it?

About 69,500 words, 19 chapters, 221 pages in the paperback.

05

What is the printed book like?

6 × 9 in, 60# uncoated cream, black ink, perfect-bound paperback, matte laminate. Every title in the series uses the same specification, so they line up on a shelf.

The writer

Ailsa Rennie

Ailsa Rennie writes biography out of Edinburgh, with a focus on women in twentieth-century science, art, and letters whose work was historically credited to the men in the rooms beside them. Her writing uncovers forgotten archival papers to reconstruct the lived realities of intellectual collaboration.

Through works like Compound S, The Fossil Hunter, and The Birkbeck Years, she examines the institutional structures that obscured female achievement. She also explores these themes of lost legacy and ownership in The Paris Radium Institute and The Letter from Madras.