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Cover of The Annina Nosei Gallery, a biography of Basquiat

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3,187 words · no email, no account

No. 047 · Art & Design · Visual Art

The Annina Nosei Gallery

a biography of Jean-Michel Basquiat

What the book is

Before he was Basquiat, he was SAMO© — a tag scrawled across the doorways and loading docks of late-seventies Lower Manhattan, half prank, half prophecy. Andre Toussaint begins here, on the cold pavement of a city teetering between bankruptcy and reinvention, and follows the boy from his Brooklyn childhood through the downtown clubs, the borrowed couches, the painted refrigerator doors that would soon hang in museums.

Drawing on previously unpublished letters, gallery records, and conversations with the friends, lovers, and rivals who knew him best, Toussaint reconstructs the brief, incandescent life of Jean-Michel Basquiat without flattening him into legend. He is attentive to the textures he moved through: the Haitian cadences of his father's house, the Puerto Rican rhythms of his mother's, the codes of the Lower East Side, the thin air of the art market that lifted him and would not let him rest.

What emerges is a portrait of a young Black artist who refused every frame offered to him — graffitist, primitive, prodigy, mascot — and who built, in a handful of years, a body of work that the culture is still learning to read.

Toussaint asks what it cost him, and what it gave us. The answer is neither simple nor consoling.

At a glance

Subject
Jean-Michel Basquiat
Shelf
Art & Design · Visual Art
Written by
Andre Toussaint
Chapters
19 across 200 pages
Narrated by
Rowan Hale
Editions
Paperback · Hardcover · EPUB · Audiobook
Authorisation
Unauthorised — no subject, estate or label had approval over the text.

Contents · 19 chapters

  1. 01The CrownRead free
  2. 02Park Slope2,464 words
  3. 03Gray's Anatomy2,338 words
  4. 04Matilde3,155 words
  5. 05City-As-School2,233 words
  6. 06SAMO© AS AN ALTERNATIVE TO GOD2,696 words
  7. 07SAMO IS DEAD2,747 words
  8. 08Times Square2,692 words
  9. 09Annina5,037 words
  10. 10Documenta2,569 words
  11. 11Dos Cabezas2,682 words
  12. 1257 Great Jones Street3,938 words
  13. 13The Collaborations3,015 words
  14. 14The Mascot3,351 words
  15. 15Heroin3,454 words
  16. 16Warhol Dies3,082 words
  17. 17Riding with Death5,279 words
  18. 18$110 Million4,854 words
  19. 19The Market3,355 words

The opening chapter is published in full — read it here.

Editions

Paperback · $19.99
6 × 9 in · 200 pp · 60# uncoated cream, black ink · perfect-bound paperback
Hardcover · $24.99
6 × 9 in · 200 pp · 60# uncoated cream, black ink · case laminate on the same text block
EPUB · $3.99
EPUB 3 · DRM-free · reads on Kindle, Kobo and Apple Books
ISBN 979-8-90470-033-1
Audiobook · $5.99
Unabridged · measured from the masters · read by Rowan Hale
ISBN 979-8-90623-014-0

The printed edition has no ISBN registered yet. It affects library and retail listing, not your order.

Questions

01

Who is The Annina Nosei Gallery about?

Jean-Michel Basquiat. The title never carries the subject's name: it names one concrete thing out of the life — in this case The Annina Nosei Gallery — and the name goes on the line underneath.

02

Is this an authorised biography?

No. No subject, estate, label or foundation had approval over the text, and none paid for a word of it. The cost of that independence is that no new interviews were conducted for the book; it is built from the public record, and it says on the page where a scene is reconstructed rather than documented.

03

Can I read some of it before buying?

Yes — the whole opening chapter and the writer's foreword, free and in full, with no email address and no account. That is 3,187 words of the book.

04

How long is it?

About 63,500 words, 19 chapters, 200 pages in the paperback.

05

What is the printed book like?

6 × 9 in, 60# uncoated cream, black ink, perfect-bound paperback, matte laminate. Every title in the series uses the same specification, so they line up on a shelf.

The writer

Andre Toussaint

Andre Toussaint is an academic and writer whose family traces its roots to the Cap-Haïtien plantations of the late eighteenth century. Driven by his family heritage, he teaches history at Brown University and focuses his research on the untold stories of the Atlantic world's revolutionaries.

His writing spans both meticulous historical research and creative narrative. In his published work, he explores diverse cultural landscapes, from the art scenes of the late twentieth century in The Annina Nosei Gallery to the deep funeral traditions of Indonesia in Rambu Solo.