
The Annina Nosei Gallery
Paperback · Hardcover

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4,472 words · no email, no account
No. 049 · Art & Design · Visual Art
a biography of Ana Maria Mendieta Oti
On a September night in 1985, a woman fell thirty-four floors from a Greenwich Village apartment window. She was Ana Mendieta, a Cuban-born artist who had spent two decades pressing her body into mud, sand, gunpowder, and grass — making work that asked what it meant to leave a trace. The man in the apartment was her husband, the celebrated minimalist sculptor Carl Andre. He was tried for her murder and acquitted.
Inés Cabrera returns to the life behind the verdict. She follows Mendieta from the Operation Peter Pan flight that carried her, at twelve, from Havana to an Iowa orphanage, through the Iowa City studios where she first buried herself in the earth, to Rome, Mexico, and the downtown New York art world that alternately championed and overlooked her.
Drawing on letters, studio notes, and conversations with the friends who have spent forty years refusing to let her name be filed away, Cabrera reconstructs an artist whose Siluetas — silhouettes carved into landscape — anticipated almost everything contemporary art would later claim as its own. She also reckons with the slogan that has trailed Mendieta's work into every museum that shows it: Where is Ana Mendieta.
The question is literal and it is not. It is about a window, a marriage, an art history written by the surviving. It is also about what a woman makes when she knows the ground will eventually take it back.
The opening chapter is published in full — read it here.
The printed edition has no ISBN registered yet. It affects library and retail listing, not your order.
Ana Maria Mendieta Oti. The title never carries the subject's name: it names one concrete thing out of the life — in this case A Body Made of Earth — and the name goes on the line underneath.
No. No subject, estate, label or foundation had approval over the text, and none paid for a word of it. The cost of that independence is that no new interviews were conducted for the book; it is built from the public record, and it says on the page where a scene is reconstructed rather than documented.
Yes — the whole opening chapter and the writer's foreword, free and in full, with no email address and no account. That is 4,472 words of the book.
About 63,500 words, 19 chapters, 191 pages in the paperback.
6 × 9 in, 60# uncoated cream, black ink, perfect-bound paperback, matte laminate. Every title in the series uses the same specification, so they line up on a shelf.
Yes: domestic violence; suspicious death. They are listed before you buy rather than discovered afterwards. The material is handled as evidence, not as spectacle.
Listed before you buy, not after.